The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

A new addition to the successful Michael Aaron Piano Course lesson books. These new Technic books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

A new addition to the successful Michael Aaron Piano Course lesson books. These new Technic books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

A new addition to the successful Michael Aaron Piano Course lesson books. These new Performance books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

A new addition to the successful Michael Aaron Piano Course lesson books. These new Performance books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

When Daniel Boone heard a neighbor's dog bark, he moved West. But when there's no Wild West left, where is adventure to be found? Michael Aaron Rockland looks for adventure in the megalopolis, "not where no one has been but where no one wishes to go . . . across traffic-clogged cities, the parking lots of wall-to-wall suburban malls, and the sinister waterways that seep through rusting industrial sites." In these ten alternately poetic and comic tales of adventure in the New York/Philadelphia corridor, the most densely populated chunk of America, Rockland walks and bikes areas meant only for cars and paddles through waters capable of dissolving canoes. He hikes the length of New York's Broadway, camps in New York City, treks across Philadelphia, pedals among the tractor trailers of Route 1 in New Jersey, and paddles around Manhattan and through the dark tunnels under Trenton. Whereas Henry David Thoreau built his cabin on Walden Pond to get out of town, for Rockland, the challenge is to head into town. As he writes, "in the late twentieth century, a weed and trash-filled city lot . . . may be a better place than the wilderness to contemplate one's relationship to nature."

A new addition to the successful Michael Aaron Piano Course lesson books. These new Theory books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

A new addition to the successful Michael Aaron Piano Course lesson books. These new Technic books are centered around Michael Aaron's original Lesson books and are focused on his original teaching concepts.

This book examines the representation of death and dying in mainstream cinema. Death and the Moving Image reveals the ambivalent place of death in 20th and 21st century culture: the ongoing split between its over- and under-statement, between its cold realities and its fantastical, transcendental and, most importantly, strategic depictions. Our screens are steeped in death's dramatics: in spectacles of glorious sacrifice or bloody retribution, in the ecstasy of agony, but always in the promise of redemption. This book is about the staging of these dramatics in mainstream Western film and the discrepancies that fuel them and are, by return, fuelled by them. Exploring the impact of gender, race, nation or narration upon them, this groundbreaking study isolates how mainstream cinema works to bestow value upon certain lives, and specific socio-cultural identities, in a hierarchical and partisan way. It examines the formal, psychological and political exchange between cinema and death. It is accessible 'before, during, after' structure: of death's presence as narrative promise, physical event and spectatorial reaction. It considers how filmmaking practice or visual medium affect the representation of death and its cultural significance.

The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading).

Ofrece ejercicios y melodA-as para: Estudios del Pedal * Escalas cromAticas y menores * Arreglos fAciles de algunas piezas clAsicas * Ejercicios rA-tmicos y mAs. [Spanish]
[The Michael Aaron Piano Course Lesson books have been completely re-engraved, expanded (adding more definitions of musical terms and more musical pieces), updated (with modernized artwork), and re-edited (with less emphasis on fingerings and more on note-reading)].

Container shipping is a vital part of the global economy. Goods from all around the world, from vegetables to automobiles, are placed in large metal containers which are transported across the ocean in ships, then loaded onto tractor-trailers and railroad flatbeds. But when and where did this world-changing invention get started?   This fascinating study traces the birth of containerization to Port Newark, New Jersey, in 1956 when trucker Malcom McLean thought of a brilliant new way to transport cargo. It tells the story of how Port Newark grew rapidly as McLean’s idea was backed by both New York banks and the US military, who used containerization to ship supplies to troops in Vietnam. Angus Gillespie takes us behind the scenes of today’s active container shipping operations in Port Newark, talking to the pilots who guide the ships into port, the Coast Guard personnel who help manage the massive shipping traffic, the crews who unload the containers, and even the chaplains who counsel and support the mariners. Port Newark shines a spotlight on the unsung men and women who help this complex global shipping operation run smoothly. Since McLean's innovation, Port Newark has expanded with the addition of the nearby Elizabeth Marine Terminal. This New Jersey complex now makes up the busiest seaport on the East Coast of the United States.  Some have even called it “America’s Front Door.�  The book tells the story of the rapid growth of worldwide containerization, and how Port Newark has adapted to bigger ships with deeper channels and a raised bridge. In the end, there is speculation of the future of this port with ever-increasing automation, artificial intelligence, and automation.

L'Interet et le progres de l'eleve sont les buts poursuivis dans ce troisieme grade. On y trouve les principes elementaires de technique sous forme de pieces melodiques.

This book examines the representation of death and dying in mainstream cinema. Death and the Moving Image provides the first in depth study of the representation of death and dying in mainstream Western cinema from its earliest to its latest renditions. It explores the impact of gender, race, nation and narration upon death's dramatics on screen and isolates how mainstream cinema works to bestow value upon certain lives, and specific socio cultural identities, in a hierarchical and partisan way. Dedicated to the popular, to the political and ethical implications of mass culture's themes and imperatives, this book takes mainstream cinema to task for its mortal economies: for its adoration and absolution of some characters and expendability of others. It also ultimately disinters the capacity for film, and film criticism, to engage with life and vulnerability differently. Aimed at the burgeoning field of death studies and explosion of interest in trauma and ethics within film studies, this book charts important new territory for the discipline whilst arguing for the centrality of this subject to the socio political significance of cinema. It examines the formal, psychological and political exchange between cinema and death. It offers an accessible 'before, during, after' structure, of death's presence as narrative promise, physical event and spectatorial reaction. It also provides a comparative and interdisciplinary approach to film (draws on critical race, political theory and mise en scene analysis and case studies from beyond Western and fiction film).

Domingo Faustino Sarmiento (1811-1888), Argentine educator, statesman, and writer, self-educated after the model of Benjamin Franklin, was "not a man but a nation," in the words of Mrs. Horace Mann. Like De Tocqueville, this remarkable man visited the United States in its early years and wrote a detailed account of this new phenomenon. Full of shrewd social commentary and unique vignettes of the America of this period-of Boston, for instance, where Sarmiento met the Horace Manns and later Emerson and Longfellow-Travels should take its place among the important commentaries on the United States written during the last century by foreign visitors. Professor Rockland's introductory essay provides the broader context in which Travels must be seen: its place in Sarmiento's life and career and its importance as testimony to forgotten lines of influence between North and South America. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.

Depuis quelques annees, il semble que les gens s'interessent davantage au piano. Cel est srtout vrai pour les adultes qui ont eu dans leur jeunesse quelques notions elementaires de musique ou pour d'autres qui, pour une raison quelconque, n'ont pu concretiser leur reve de faire de la musique active. La Radio qui pour ainsi dire fait partie de notre vie quotidienne a joue un role considerable dans l'epanouissement de ce besoin imprieux. Ce Cours Special pour adultes, presses de pouvoir jourer du piano a leur gre, doit les inciter d'abord a faire connaissance avec les principes fondamentaux de la musique. Sans aucun doute, les eleves et les professeurs sauront apprecier a sa juste valeur, notre maniere de proceder, et aussi le service que rendra cette methode progressive.

This book cuts a lucid path through the debate on spectatorship. It revisits the classics of Hollywood; explores films beyond the mainstream, such as Dogme 95; and shows how cinema makes a spectacle of the everyday while turning the spectacular into something commonplace. It also muses on the consequences of our sharing in or witnessing the private or intimate acts of others and our enjoyment of events that often represent a gross break with legal and social mores.

Coined in the early 1990s to describe a burgeoning film movement, "New Queer Cinema" has turned the attention of film theorists, students, and audiences, to the proliferation of intelligent, stylish, and daring work by lesbian and gay filmmakers within independent cinema and to the proliferation of "queer" images and themes within the mainstream. Why did this transition take place? Was it political gains, cultural momentum, or market forces that energized the evolution and transformation of this cinematic genre? The volume is divided into four sections: defining "new queer cinema," assessing its filmmakers, examining geographic and national differences, and theorizing spectatorship. Chapters address the pivotal directors (Todd Haynes and Gregg Araki) and salient films (Paris is Burning, Boys Don't Cry), as well as nonmainstream and non-Anglo-American work (experimental filmmaking and third world cinema). With a critical eye to its uneasy relationship to the mainstream, New Queer Cinema explores the aesthetic, sociocultural, political, and, necessarily, commercial investments of the movement. Although there are certainly other books on gay and lesbian issues in film, this is the first full-length study of recent developments in queer cinema, combining indispensable discussions of central issues with exciting new work by key writers. Features .Provides a definitive introduction to New Queer Cinema .Clear structure with each section addressing a key topic in the study of New Queer Cinema .Themes covered include genre, gender and race, politics, media, and the relationship between New Queer Cinema and the mainstream. Michele Aaron is Lecturer in Film Studies at Brunel University, London.

Domingo Faustino Sarmiento (1811-1888), Argentine educator, statesman, and writer, self-educated after the model of Benjamin Franklin, was "not a man but a nation," in the words of Mrs. Horace Mann. Like De Tocqueville, this remarkable man visited the United States in its early years and wrote a detailed account of this new phenomenon. Full of shrewd social commentary and unique vignettes of the America of this period-of Boston, for instance, where Sarmiento met the Horace Manns and later Emerson and Longfellow-Travels should take its place among the important commentaries on the United States written during the last century by foreign visitors. Professor Rockland's introductory essay provides the broader context in which Travels must be seen: its place in Sarmiento's life and career and its importance as testimony to forgotten lines of influence between North and South America. Originally published in 1970. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.